Niveau 2 · Cours 10
Modes of the major scale
Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian — seven colors, one scale.
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Pause Culture · Modes
Miles Davis (1926–1991)
In 1959, Miles Davis recorded Kind of Blue — the best-selling jazz album of all time. Instead of chaining complex chords, he built each piece on a single mode. So What is entirely …
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À retenir : A mode is not a scale with one different note — it is a harmonic color, a way of hearing the world.
The 7 modes of the major scale
A mode is simply the major scale played from a different degree. In C major (C D E F G A B), if we start on D and play the same notes up to D, we get the Dorian mode. Each starting degree creates a unique harmonic color.
Fundamental principle: all modes share the same notes — it is the starting note (the tonic) that changes everything. By shifting the tonic, we change the intervals and therefore the emotional color.
Click on a mode to hear it and see its details.
Summary
| Degree | Mode | Color | Alteration vs major | Emotional color |
|---|---|---|---|---|
| I | Ionien ☀️ | Major | — | Lumineux, stable, affirmé |
| II | Dorien 🌊 | Minor | ♭3, ♭7, ♮6 | Mineur mais lumineux, mystérieux, modal |
| III | Phrygien 🔥 | Minor | ♭2, ♭3, ♭6, ♭7 | Sombre, intense, dramatique |
| IV | Lydien ✨ | Major | #4 | Lumineux, onirique, éthéré |
| V | Mixolydien 🎸 | Major | ♭7 | Majeur mais non résolu, énergique, bluesy |
| VI | Éolien 🌙 | Minor | ♭3, ♭6, ♭7 | Mélancolique, introspectif, naturel |
| VII | Locrien 💀 | Dim. | ♭2, ♭3, ♭5, ♭6, ♭7 | Très sombre, instable, dissonant |