Harmonia.
Niveau 2 · Cours 19

Introduction to orchestration

The 4 instrument families, their ranges and roles — doublings, balance, registers and SATB distribution in the orchestra.

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Pause Culture · Orchestration & timbral precision
Maurice Ravel (1875–1937)

In 1922, Sergei Diaghilev asked Ravel to orchestrate Mussorgsky's Pictures at an Exhibition for the Ballets Russes. Ravel spent months choosing each instrument for each tableau. Wh…

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À retenir : Orchestration is not decoration: it is an essential part of composition. Before writing for an instrument, ask yourself: in which register does it sound best? What is its natural colour? How does it interact with the others? The ideal instrument played in its ideal register produces a beauty no other can replicate.

Instrument families and their characteristics

The symphony orchestra is organized into 4 major families. Each family has its own acoustic characteristics, ranges, and typical roles. Knowing these characteristics is the starting point for any orchestral writing.

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Strings
Violin I & II · Viola · Cello · Double bass
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Woodwinds
Flute · Oboe · Clarinet (in Bb) · Bassoon
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Brass
French horn · Trumpet · Trombone · Tuba
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Percussion
Timpani · Snare drum · Cymbals · Bass drum
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Piano & guitar
Piano · Guitar
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Register map by range

VoiceRegisterMain instruments
SopranoSol3 – Do7Violon I, Flûte, Hautbois, Trompette
Mezzo / AltoDo3 – Mi6Violon II, Alto, Clarinette, Cor
TenorMi2 – Fa4Violoncelle, Trombone, Basson
BassSib0 – Fa3Contrebasse, Tuba, Contrebasson

Listen to the 4 registers

C2–E2–G2 — tuba/double bass
C3–E3–G3 — cello/bassoon
C4–E4–G4 — viola/clarinet
C5–E5–G5 — violin/flute
Golden rule: the lower you go, the more you must space the voices. A C2–E2 chord sounds muddy; C2–G2–C3 sounds clear. In the upper register, thirds and seconds are perfectly readable. This rule guides the distribution of all orchestral and piano voices.