Harmonia.
Niveau 2 · Cours 22

Reharmonization

Transform a progression while preserving the melody — diatonic and tritone substitutions, modal borrowing, parallel harmonization.

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Pause Culture · Réharmonisation
Bill Evans (1929–1980)

In 1958, Bill Evans recorded 'Peace Piece' in a single take. For eight minutes, he explored every harmonic colour possible over a single bass pedal — C. He borrowed chords from the…

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À retenir : Reharmonising means seeing the same notes under different lights. The melody is the soloist — the chords are the light you choose to illuminate it.

The 4 reharmonisation techniques

Reharmonising means replacing the chords of a progression while keeping the melody intact. The fundamental constraint: every melody note must remain consonant with the new chord.

Principle: the melody is fixed — it is "the roof". The chords can change — they are "the floor". Choosing a new chord means choosing the light under which the melody will be heard.

Click on a technique to see and hear the progressions.

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Substitution diatonique
Substitut = accord diatonique à distance de 3ce ou 6te (2 notes communes minimum).
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Substitution tritonique
Substitut tritonique de V7 = ♭II7 (triton = 6 demi-tons). G7 → D♭7.
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Emprunt modal
Emprunt modal = accord d'un mode parallèle (même tonique, couleur différente).
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Harmonisation parallèle
Parallélisme = même type d'accord transposé par mouvement conjoint.
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Melodic check: before any reharmonisation, identify the long notes of the melody. A held note that creates a half-step with a chord tone = strong dissonance. Check systematically.