Harmonia.
Level 1 · Lesson 3

Tonal Functions and Voice Leading

The tritone as tension engine, T/SD/D functions, and the rules of 4-voice counterpoint.

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Pause Culture · Voice leading
Johannes Brahms (1833–1897)

Brahms was obsessed with the purity of four-voice writing. He hunted parallel fifths and octaves as absolute offences against taste, marking his students' scores in red. He said th…

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À retenir : Voice leading is the art of making each melodic line independent and fluid.

The tritone — engine of harmonic tension

The tritone is the interval of 3 whole tones (6 semitones) that forms naturally between the 4th and 7th degrees of a major scale. In C major: F and B. Its acoustic instability is the engine of all tonal harmonic tension.

In C major: the tritone forms between F (4th degree, subdominant) and B (7th degree, leading tone). Both notes appear in G7 — which is why G7 is the perfect dominant.
Listen to the tritone F–B in C major
In G7 → C: B rises to C (+½ tone, leading tone→tonic) and F falls to E (-½ tone, seventh→third). This double contrary motion is the tritone resolution.

Why does the tritone create tension?

The tritone divides the octave into two equal halves (6+6 semitones). This perfect symmetry deprives it of natural direction — it does not know where to go. The ear perceives this ambiguity as tension that must resolve.

The tritone in C major is the functional key: the presence of both notes F and B in a chord determines its function. It organises all harmonic tension.

Chord classification relative to the tritone

FunctionTritone notesCharacterExamples in C
Tonic (T)Neither F nor BStable, restC, Am
Subdominant (SD)F onlyPreparesDm, F
Dominant (D)F and BMaximum tensionG7, Bdim
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