Harmonia.
Level 1 · Lesson 5

Borrowings and Classic Harmonic Progressions

Minor as a colour source — borrowings, circle of fifths, chaconne and Neapolitan chord.

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Pause Culture · Borrowings & Classic Progressions
Frédéric Chopin (1810–1849)

Chopin had an extraordinary ability to 'borrow' minor chords in a major key to instantly shift the emotional color of a phrase. His contemporaries described the effect as a cloud p…

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À retenir : We don't change key — we temporarily change the lighting.

The minor scale and its two forms

The natural minor scale derives from the major scale — it is built starting from its 6th degree. But it has a problem: its tritone is not functional. It does not push toward the tonic, which deprives the dominant chord of its characteristic tension.

In C natural minor, the 5th degree yields Gm (G–B♭–D) — a minor chord with no tension. Without the leading tone B natural, there is no strong resolution to Cm.

The solution: the harmonic minor scale, which raises the 7th degree by a half step. In C minor, B♭ becomes B natural. The dominant chord becomes G7 — with the tritone B–F resolving to C–E. The leading tone is restored.

Practical rule: we use the harmonic minor to build chords on all degrees except the 1st and 3rd, where we prefer the natural minor to preserve their stability.

Comparison in C minor

ScaleStructureNotes (C minor)Issue
NaturalT–½–T–T–½–T–TC D Eb F G Ab BbNo leading tone, Gm instead of G7
HarmonicT–½–T–T–½–1½–½C D Eb F G Ab BAugmented interval Ab–B (1½ tones)

The 7 chords of C minor

Click a degree to hear it.

I
Cm
minor
Tonic
II
Ddim
diminished
Subdom.
III
Eb
major
Tonic
IV
Fm
minor
Subdom.
V
G7
dominant
Dominant
VI
Ab
major
Tonic
VII
Bdim
diminished
Dominant
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